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Brake is an undying sequence of storytelling gimmicks.

The finale takes an age to arrive and then manages to be both unbelievable and predictable.

Constantine is best enjoyed by ignoring the Milton-centric mythology and surrendering to the movie's lush atmosphere and wicked performances.

Hackneyed, dull and entirely devoid of wit, invention or tension.

No one is quite who they seem, which suits the peculiar Californian unease that comes with bad air.

It's not quite as slick or sexy as the Ocean's movies, but it is steeped in personality.

The tension leaks interest due to a high cliche content.

A fascinating psychological thriller.

The fusion of the crime thriller’s grim reality with the otherworldly fantasy of the ghostly confederate army is, for the most part, very effective.

It is as if everyone was waiting for this to test the limits of their talent.

Construed by some as a blatant feminist sympathy trip, Theron's performance is a tour de force, picking up Jenkins's contentious baton with extreme gusto.

A romantic comedy that cuts up cliches and scatters them across the mid West.

It can be a little preachy, even twee, at times, but that is a major part of its charm.

Writer/director Andrew Niccol makes his point with the subtlety of a Vin Diesel chat up line.